Stories That Twist & Tangle
Laura N. Andrews ● M. Billiter ● Kim Deister ● R.M. Gilmore
Kenneth Jobe ● Barb Shuler ● M.C. St. John ● Ricky Wells
Title: A Dark Spring
Genre: Suspense
Release Date: April 11, 2020
Publisher: Tangled Tree Publishing
Cover Designer: BookSmith Design
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Eight
original tales of suspense that will tangle your senses and keep you gripped.
From murder to the unknown, the everyday world is explored in these tension-fuelled
and twisted novellas. Be prepared to get tangled.
A
Tangled Oracle by Laura N. Andrews
In
Oracle Vardalos’s dreams, people are murdered. News stories follow and the
evidence piles up against her. She must save those she loves; even if it’s from
herself.
The
Burning Rock by M. Billiter
They agreed it would be easier this
way. Still, when it was over, all that remained was an empty saddle and a
closed casket.
Tangled
Love by Kim Deister
He's the Gomez to her Morticia, the center of
her world. But everything changes when Tessa sees
something she was never supposed to see. Love and sanity become tangled,
leaving her
teetering on the edge of the cliff, wondering if her life will ever be the same
again.
Gnarled
by R.M. Gilmore
Carter
Kennedy returns to her father’s hometown after nearly twenty years to claim her
inheritance. She quickly discovers why her father had kept her and her brother
away from Scully’s Hollow and the people who inhabit it.
Early
Retirement by Kenneth Jobe
Loyal
husband and hard-working employee Richard Griffith has his world turned upside
down. When he is dealt yet another bad hand and uncovers the identity of his
wife's lover, he reaches his breaking point.
Tangled
Obsession by Barb Shuler
Injured
and stranded on a mountain with the sun setting and no help in sight, Elsa
Malloy has only two options—fight or die. Believing her
loved ones are dead, and fighting against the elements of the mountain, Elsa is
left to fend off a sadistic killer alone.
We
Only Want to Play by M.C. St. John
Teacher aide Julie Trudeau has noticed
something odd among the remaining summer school students: they are playing a
game of Telephone without moving their lips. When recess turns violent, it's up
to Julie and a ragtag group of staff and students to survive after the last
school bell.
The
House on Oak Street by Ricky Wells
Spring break
approaches and three middle schoolers look forward to their mini-vacation. But when one of them goes missing, Ann and
Roger find that no one will listen to them.
It’s up to them to rescue their friend or are they the next victims of
the House on Oak Street?
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The authors of Tangled Tree Publishing's first anthology, A Dark Spring, share the inspiration behind their twisted and tangled stories.
Barb Shuler, TANGLED OBSESSIONS
The internet. I was being a nerd and looking up mountains and places for another story I am working on when an image of Mt. Timp came up. A little research of the valley left me going hmm… which in turn led to the chaos that is Tangled Obsessions.
Kenneth Jobe, EARLY RETIREMENT
I was working in a cubicle-filled office much like the one in the story. A co-worker was retiring after decades of loyal service, and I wondered if she felt her time served was worth it.
Kim Deister, TANGLED LOVE
I watch a series on ID Discovery about families who only later discover that one of their own is murderer, rapist, etc. The daughter, granddaughter, and great-granddaughter of criminal attornies, I’ve always been fascinated with both criminal psychology and the seemingly implausible idea that loved ones would be so blind to it. That’s what I wanted to explore in this story.
Laura N. Andrews, A TANGLED ORACLE
Without giving too much away, a certain intrigue of mine caused me to come up with a twist. This twist was actually the start of A Tangled Oracle, and the story stemmed from it. The main character, Oracle, being Greek, was inspired by my yia yia. Although we have no Greek background in our family, we’ve always referred to her as, “yia yia” rather than, “grandma,” or, “nan
M. Billiter, THE BURNING ROCK
I was on assignment for a Jackson Hole, Wyoming-based newspaper when I went out for three days on horseback with a cowboy. I learned to herd cattle, which plants were safe to eat (chokeberries always good and plentiful), and at night I found warmth around a campfire. It’s also when I asked this cowboy, “Why don’t rocks burn?” I honestly didn’t know, and it was the first time he laughed. So, when this story poured out of me, I knew the title would play off that moment on the mountain. “The Burning Rock,” named itself.
M.C. St. John, WE ONLY WANT TO PLAY
We Only Want to Play came to me first as a short story. I was thinking about my own elementary school and how much I enjoyed making up games with my friends during recess. Most of them were silly. Others were intense. But whenever the recess monitor came by to ask what we were playing, every one of us instinctually switched out of the group game. This was an adult, and adults were here to poke holes in our fantasies. As kids, we know this without being told, and without telling each other. Protecting our play world is a territorial instinct. That almost telepathic groupthink fascinated me. What would happen, I wondered, if that instinct turned malignant? I saw kids turning ugly during recess and a young teacher discovering what they were plotting. I knew then that my short story was going to get much longer. I buckled up for the ride and got writing.
R.M. Gilmore, GNARLED
The first thing that came to mind when I saw the theme Tangled was hair. The image of matted, tangled hair dotted with debris, twigs, leaves, popped into my head. One-hundred percent pantsed, Gnarled started with the body and went from there.
Ricky Wells, THE HOUSE ON OAK STREET
I’ve always like haunted house stories, but they often have a tendency toward formulaic plots. I decided to write a story that had all the set up and anticipation of a haunted house before pulling the rug out from under the reader, pivoting to a monster type of a story. I also liked the idea of playing with who the monster was in the story as often humanity provides all the necessary behavior to be the monster.
